Candido 200 has no remjet backing — it uses a modern anti-halation layer built directly into the emulsion, so there's nothing to strip or wash off and no residue. It's clean, lab-safe, and processed just like any other colour negative film in standard C-41, by any lab.

Shoot at box speed, ISO 200, under tungsten or warm artificial light. Like all Candido films, it rewards generous exposure — rating it at 100, or setting +1 exposure compensation, delivers richer colour and better shadow detail. It can also be pushed; just ask your lab for a 1 stop push.

Yes — the corrected route is an 85 filter with your meter set to ISO 125, which gives natural colour. Shot unfiltered, it produces a distinctive cool, blue-shifted look that can be corrected or embraced in scanning. For a film made for daylight, look at Candido 400 Classic — or Candido 50 Pure for the finest grain. 

It's a tungsten-balanced film — rare in 35 mm stills — with fine, controlled grain and over 11 stops of latitude. The natural choice for studio work, indoor portraits, and warm evening light where daylight films struggle.